Perhaps Arthur Verocai’s self-titled and only artist album, issued on the Brasilian Continental label in 1972, or the collaborations between Serge Gainsbourg and Jean Claude Vannier, which found their epitome in 1971’s Histoire de Melody Nelson. It’s worth noting that there are really count-on-your-hand examples of anything that might even be compared to Song of Innocence. The listener is pulled in by his melodies, simplistic at first blush, but colored by odd chord progressions and turn arounds, grounded by the drummer Earl Palmer and Carol Kaye’s funk, torn between the juxtaposition of musical elements – a jazz vibraphone solo here, a fuzz guitar tear here, a nod to the baroque in Don Randi’s clavichord comps – and put at ease, always, by Axe’s arrangements, which utilize brass and strings in a way that no 1960s arranger did. Song of Innocence is this weird hybrid that no one, not even Axelrod himself, could ever really describe. It is considered by many his masterpiece. And no one ever will again.Ī1 Bone Flute Blues A2 Light The Portals A3 Moon Burnt Mountain A4 Sunset Ruinsī1 No French Quarter B2 D.O.V B3 Flamenco Youth B4 Astrophysical Graffiti B5 Olompaliĭavid Axelrod delivered one of the great psychedelic albums with 1968’s Song of Innocence, based around the poetry of William Blake. No where else in the world can you find a recording with members of Comets On Fire, Nirvana, Earthless, Melvins, Flying Luttenbachers, Sleepy Sun, Triclops!, Devendra Banhart, Lieutenant, Golden, Black Fork, Victims Family, The Mars Volta, fIREHOSE, AND a winner of America's Next Top Model. The line-up of “II” finds Beaulieu and Zavala accompanied by Krist Novoselic, Mike Watt, Dale Crover, Jonathan Hischke, and many others. The project evolved into an expansive, bizarrely curated cavalcade of A-list psychedelic exhibitionists from all parts California, and a few world famous musicians playing non-famous instruments, all arranged and overseen by a mostly unknown, humble guitar playing surfer dude. The sound began with two friends Christian Eric Beaulieu and Cedric Bixler Zavala (The Mars Volta) digging into open tuning and hybrid ragas with punk energy.
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Live At The Atlanta Pop Festival, July 3 & 5, 1970Īnywhere II is the second, proper full length release from musical entity Anywhere, following their 2012 self-titled release.
Recorded nearly a year before At Fillmore East established them as one of America's hottest bands, fans can now discover these landmark nights in Allman Brothers Band history with this individually numbered, limited edition box set, available on vinyl for the first time and packaged in an oversize slipcase with an eight page booklet of photos and liner notes.ħ/3/70 1.1 Introduction 1.2 Statesboro Blues 1.3 Trouble No More 1.4 Don't Keep Me Wonderin' 1.5 Dreams 1.6 Every Hungry Woman 1.7 Hoochie Coochie Man 1.8 In Memory Of Elizabeth Reed 1.9 Whipping Post 1.10 Mountain Jam Part I 1.11 Rain Delay 1:14 1.12 Mountain Jam Part IIħ/5/70 2.1 Introduction 2.2 Don't Keep Me Wonderin' 2.3 Statesboro Blues 2.4 In Memory Of Elizabeth Reed 2.5 Stormy Monday 2.6 Whipping Post 2.7 Mountain Jam King took the stage, the Allmans were invited back for a second set. The band's Southern-blues style, bolstered by jams that stretched to epic lengths, won over audiences-and two days later, after legends like Jimi Hendrix, Johnny Winter and B.B. The Allman Brothers Band was one of Georgia's top live acts still looking for a break when they were hired to open the three-day Atlanta International Pop Festival. At Supersense artists engage in an antiquated, authentic and rare method of recording a unique, live performance in an intimate environment. It´s a unique collaboration between the artist and Supersense´s elite team of recording engineers and designers and it all happens in-house in just two days or less. Owned by Florian `Doc` Kaps, a collector, purveyorand guardian of all things analog ( recording equipment, instruments, cameras etc.), Supersense offers artists a comfortable and inspiring environment to record, press and create original artwork for their one-of- a-kind album. A hidden gem in the heart of Europe, which remains one of the only places in the world to offer this unique style of recording. Exclusive 7" for Record Store Day featuring "Passion" and "Hollow Moon " recorded live in Vienna at Supersense.
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